His first piece was the piano solo, Piano Suite (later the title was changed to Japan Suite, arranged for orchestra). This piece is dedicated to the pianist John Copland who has lived in Spain. Atsushi Miura, musicologist and Ifukube's friend in university, sent a fan letter to Copland. Copland replied "This is wonderful that you listen my disc in spite of you live in Japan, the revert side of the earth. I imagine you may compose music. Send me some piano pieces." Then Miura, who is not composer, presented Ifukube to him with this piece. Copland promised to interplate it, but this corespondence is unfortunately retired because of the Spain War. And his big break came in 1935, when his first orchestral piece, Japanese Rhapsody, won first prize in an international contest for young composers promoted by Alexander Tcherepnin. The judges of that contest--Albert Roussel, Jacques Ibert, Arthur Honegger, Alexandre Tansman, Tibor Harsanyi, Pierre-Octave Ferroud, and Henri Gil-Marchex--were unanimous in their selection of Ifukube as the winner[1]. The next year, Ifukube studied modern Western composition while Tcherepnin was visiting Japan, and in 1938 his Piano Suite obtained an honourable mention at the I.C.S.M. festival in Venice. In the late 1930s his music, especially Japanese Rhapsody, was performed in Europe on a number of occasions.
On completing University, he worked as a forestry officer and lumber processor, and towards the end of the Second World War was appointed by the Japanese Imperial Army to study the elasticity and vibratory strength of wood. He suffered radiation exposure after carrying out x-rays without protection, a consequence of the wartime lead shortage. Thus, he had to abandon forestry work and became a professional composer and teacher. Ifukube spent some time in hospital due to the radiation exposure, and was startled one day to hear one of his own marches being played over the radio when General Douglas MacArthur arrived to formalize the Japanese surrender.
From 1946 to 1953, he taught at the Nihon University College of Art, during which period he composed his first film score for The End of the Silver Mountains, released in 1947. Over the next fifty years, he would compose more than 250 film scores, the high point of which was his 1954 music for Ishiro Honda's Toho movie, Godzilla. Ifukube also created Godzilla's trademark roar - produced by rubbing a resin-covered leather glove along the loosened strings of a double bass - and its footsteps, created by striking an amplifier box.
Despite his financial success as a film composer, Ifukube's first love had always been his general classical work as a composer. In 1974, he returned to teaching at the Tokyo College of Music, becoming president of the college the following year, and in 1987 retired to become president of the College's ethnomusicology department. He trained the younger generation composer such as Toshiro Mayuzumi, Yasushi Akutagawa and Kaoru Wada. He also published Orchestration, a 1,000-page book on theory.
He died in Tokyo at the Meguro-Ku Hospital of multiple organ dysfunction syndrome on February 8, 2006 aged 91.
